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Eternity Mongers

by Michael Feuerstack

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    180g 12" black vinyl with full colour 20pt jacket, lyric insert on recycled stock, and labels

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1.
Invisible to the light Until you open your eyes It is what it is But what isn’t what it is? Decadent introspection Got to make a stronger impression It is what it will be But what doesn’t follow that which it will be? What is the thing you live for? What is the resonant tone? What is it that makes the time roll? What is it that makes the slow motion go? What is your strongest fear? What is your last resort? What is it that makes you wonder? The question that spins and spins Why don’t you give up the one thing that has no end? Why not live in the one place that needs no home? What is it that slips through your fingers Only to fill your boots? It isn’t what you wanted It’s made of desire but can’t be held Spill it in the lost and found Throw it to the public domain Bless all the decent people! Why not just give up the one thing that has no end? Why not live in the one place that needs no home? What a waste its literally endless Why must we fight with it all the time?
2.
The Path 02:51
You know I love to get it right but I rarely do Lost in the weeds wondering what to do Peeping through the dappled leaves at the crystal blue While I’m alone in a patch of trees with a path worn through Sit in a crowded parking lot and pray for things To an angry god of your own imagining I’ll believe it when I see the lightning come Everyday is judgement day for everyone Oh ooh oh There’s not a single wallet big enough To collect the pain of any one of us Tell me where I’m going to be when I don’t have you All alone in a patch of trees with a path worn through Oh what do I do? There’s not a single pocket deep enough To hold the groove of any one of us You can dance like no one cares you can bang the drum Tapping out your rhythms until the daylight comes Oh ooh oh
3.
Your mind’s made up Your mind’s made up Set aside what you need and leave it with us We’ll take care of your stuff Think of us in the nest up above Stuck in time if you must We’ll be waiting for your sweet return Your mind’s made up Your mind’s made up It’s the coming of spring it’s a beautiful thing It’s something everyone must do But it won't always feel so good We’d beg you to stay if we thought you would Your mind’s made up Your mind’s made up Am I getting through to you If I pretend you’re someone else? That’s what I have to do To hide the tears from myself Your mind’s made up Your mind’s made up Send us a note If you’re feeling alone You don't have to say much You’d be surprised what a couple of words can do for us We’ll be waiting for your sweet return
4.
Humming on the resonant tone Floating in the thick of the drone You do what you can What you need so you can stay afloat You stood your ground You’re in recovery now Pound for pound You took the beating that your heart would allow Old man winter all year round Drag your feet on the frozen ground Oh we were ready to run We were ready to roll The crickets in the trees Repeat after me They’re calling your name What are they saying when you’re not around? You did what you had to do But was it ever really up to you You did what you said but did you really have to do it alone? Old man winter all year round Drag your feet on the frozen ground Oh we were ready to run We were ready to roll Oh we were ready to run We were ready to roll Old man winter all year round Drag your feet on the frozen ground Oh we were ready to run We were ready to roll Oh we were ready to run We were ready to roll Oh we were ready to run We were ready to roll
5.
I never did much of anything I never wanted to burst into flame I hold myself unaccountable I count myself immune to blame I’ve got no particular place to go The floating points in the distance grow My passage is uneventful I want to go where the big sails go No behaviour modification No big idea nothing to share No consequences and no equal reaction No home and no loved ones there My arrogance is rewarded But it’s never enough Humility doesn’t pay The meek will inherit a world of dust I’ve got no particular place to go The blinking eye of the needle grows My passage is uneventful I want to go where the big sails go I don’t resent the intrusion I don’t regret being pulled from the path I’ve got no particular place to go The floating points in the distance grow My passage is uneventful I want to go where the big sails go
6.
We’ve been living in disenchantment Gently sticking it to the man We’ve been knee deep Wading around in the tides of circumstance But the demon wants to dance If my déjà vu is reliable You can walk right to the edge of the pier You can take off your shoes roll up your jeans And try to disappear try to disappear But if the demon wants to dance… Are you awake and for how long? Don’t waste a minute of your time It’s so easy to do I can see the light Underneath the door You try to get a leg up Mind your inner child You punch the clock
Do your time But the corridor goes on for miles The corridor goes on for miles And the demon wants to walk Are you awake and for how long? Don’t waste a minute of your time It’s so easy to do I can see the light Underneath the door
7.
It’s coming together It’s coming together It’s coming up roses it’s coming up blooms It’s coming up flowers all over the field Pushing on through no matter what the weather It’s coming together You fell in love and you turned on the charm Now you’re walking around arm in arm Picking each other’s eyelashes off your sweaters It’s coming together Tell me how not to worry about the fear Tell me how not to worry Tell me how not to worry I heard a bump in the night I heard wolves at the door Having at all but still wanting more Ignoring every last detail down to the letter It’s coming together I need a bucket of ice I need a burning flame I need to confess I need someone to blame I need a little help here I’m at the end of my tether It’s coming together Tell me how not to worry about the fear Tell me how not to worry Tell me how not to worry about the fear Tell me how not to worry It’s coming together
8.
I never wanted to be any kind of hero I barely stood up for myself when I was pushed around I told myself that it was ok to run And in a way I guess it must have been ok to run away But now I realize I’m not the only one that benefits fits if I speak up when something isn’t right They used to call it growing up But now we know there’s no such thing Now we’ve come to learn it’s not just rolling through the changes That gets you to a place that feels ok when you stop spinning They used to call it growing up But now we know there’s no such thing There’s a certain kind of comfort that distracts you from the things you want to do Keeps you from the things you want to be around A way of making you blind to what it is you think you need That makes it possible to live a death in safety To kill the thing that let’s the magic have a say Standing on the bridge you can shuffle to uncertainty Or linger in the middle here and suffer for eternity They used to call that growing up But now we know there’s no such thing They used to call that growing up But now we know there’s no such thing
9.
It’s just me I forever wait my turn The devil is a myth that can still burn If I endure the licking flames Will heaven die and come to me? Do you ever get tired of having fun? Do you ever get tired of having fun? When heaven dies and comes to me A snake in the clouds I will know I will know Serpent in the sky The ever-watching eye Serpent in the sky While you sleep I’ll be swimming in your eyes Dark pools and geometric lines I’ll endure the licking flames Will heaven die and comes to me? Serpent in the sky The ever-watching eye Serpent in the sky
10.
Maybe you’ll find me maybe you won’t Maybe you want to but maybe you don’t In the back of the classroom or out in the street Pacing the aisles or walking the beat What a waste of energy But I can’t say I regretted it I pushed them away I retreated within Got some time alone but that wore thin I’ve got to be honest I don’t like suffering fools The original bad boy breaking all the rules But I can’t say I regretted it When he door slams shut you can’t open it Suffer the future or stutter the past Making concessions and making them last Pushing the buttons and counting the stars Buying into the dream and playing a part I had the chance and I wasted it But I can’t say I regretted it You can’t save your love for eternity Sooner or later you’re going to get sloppy Most of us are harmless enough I pushed them away I retreated within Got some time alone but that wore thin
11.
No Excuses 02:49
I’m not making excuses anymore I’m not worrying about my cape dragging on the floor You’ve played the part many times before But when the credits roll We know whose name you’ll be looking for But it’s sad to see you go It’s sad to see you go When you’ve got your past in front of you And history plays out in full view I’m not making excuses anymore I’m not worrying about our blood dripping on the cutting room floor But it’s sad to see you go Yeah it’s sad to see you go Spoken in a voice Of someone I don’t recognize The sound of nasty glances That cuts you down to size Apart from what you see And apart from what you feel Everything is fine It’s just spinning like a reel
Spinning like a wheel I’m not making excuses anymore I’m not making excuses anymore But it’s sad to see you go
12.
Wall to wall carpet Vintage fixtures Mid-century charm Sit on the dock Dangle your feet The water is warm Remember the first thing You learned as a child: Do no harm Moment to moment to moment to Lifetime walking the boundary road Looking in the windows at the warm glow Bored in heaven Lost in the fog In the flowery language of the epilogue You’re pretending you’re wrong Taking the high road And hating the view Suddenly you’re lost It’s like you’re trapped under glass Nothing new Incurably separate A cast of millions All in the lead Moment to moment to moment to Lifetime walking the boundary road Looking in the windows at the warm glow Bored in heaven Lost in the fog In the flowery language of the epilogue

about

Eternity Mongers, the latest album from Michael Feuerstack, is filled with some of the questions we ask ourselves as we navigate this beautiful and complicated world. What is the thing you live for? What is your strongest fear? What is it that makes you wonder? These twelve songs, like so many of the best songs, are born out of curiosity—a curiosity for and about all things: the world around us, the way we interact, the way we live, and the ways in which we try to live. As weighted as the subject matter of these songs at first appears, there is also a playfulness at work throughout, a sense of levity to set the balance right. Do you ever get tired of having fun?

Heading into the studio to record Eternity Mongers, Feuerstack’s aim was to create something that took the live-off-the-floor production value of a Peel session (the live-performance BBC Radio 1 music show hosted by iconic broadcaster, John Peel) and played it through an old jukebox in a diner—warm and round but with a lively presence. To capture that quality—a sound that works in parallel with many of the themes explored throughout the album—Feuerstack recorded the bed tracks at The Shed (in an actual shed) in Shad Bay, Nova Scotia with Charles Austin. The songs were recorded as live as possible and favoured rich instrumental tones, scrappy but warm overall. The result is a collection of songs that is at once familiar and utterly new. Feuerstack is pushing himself with this newest release, a departure in many ways—new sounds, new arrangements, a new approach—but Eternity Mongers also retains those familiar qualities we expect in an album from Michael Feuerstack: gorgeous, vulnerable vocals; masterfully subtle guitar work; and lyrics that reveal something new with each listen.

credits

released April 19, 2024

All songs written by Michael Feuerstack and arranged with the musicians who performed on them.

MF: voice, guitar, mini synth, pedal steel
Michael Belyea: drum set, percussion
Kyle Cunjak: bass guitar, organ
Karen Ng: saxophone, clarinet, flute
Tim Crabtree: saxophone, clarinet, flute
Erika Angell: voice
Laurel Sprengelmeyer: voice

Charles Austin recorded the bed track sessions and most of MF’s vocals in an actual shed called The Shed in the summer of 2022.

MF recorded Tim and Karen’s woodwinds at Skybarn, and Erika and Laurel’s vocals at Salad Feelings in the autumn of 2022.

Mixed by MF at Salad Feelings.
Mastered by Heather Kirby at Dreamlands.

Artwork and layout by Paul Henderson.

Thank you: Katie Ward, Liam Makhan, Michelle Elrick, Jon Claytor, Ian Roy, Camille Delean, Richard Reed Parry, Pietro Amato, Chip Sutherland, all at Forward Music Group, Rejane Belisle and Mom, Kevin Lewis and Lezlie Lowe, Tim Baker and family, Ryhna Thompson and everyone at Envision.

The creation of this work was made possible thanks to the financial support of the Conseil des arts et des lettres du Québec.

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Michael Feuerstack Montreal, Québec

Montreal-based song-maker, musician and producer Michael Feuerstack (fka Snailhouse) has built an ever growing archive of crooked and beautiful songs. Live and on record, Feuerstack’s panoramic and literate song-craft can be heard in many forms, transcending boundaries with his unmistakable voice and unique perspective hovering between humour and heartbreak. ... more

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  • May 26
    Montreal, QC

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